TOP 10 Erotic Indian Movies Only On Bollywood Insider

Kamasutra

Starring Rekha, Indira Verma, Sarita Chaudhary and Navin Andrews, this Mira Nair movie depicted ‘a tale of love’ dating back to 16th century India. This movie was replete with soft-core sex, exotic sets and a raw appeal in the performances of its actors which did justice to the entire storyline. The movie was banned in India for its sexually explicit scenes.

Utsav

A multi-starrer movie that had Rekha as a female lead-cum-temptress named as Charudatta received a lot of rave reviews about the depiction of sexuality. The movie was a period drama which also happened to be Shashi Kapoor’s directorial work.

Satyam Shivam Sundaram

A skimpily dressed Zeenat Aman smooching Shashi Kapoor raised a zillion eyebrows in this Raj Kapoor movie which showed how outer beauty is irrelevant before pure love. Zeenat’s ample cleavage show made many men go weak on their knees.

Ram Teri Ganga Maili

Who can forget Mandakini’s shower act under a waterfall which showed her well-endowed bosom in a transparent white saree and garnered a lot of flaks and awes! Besides that, the lady enacted a very sensuous bedroom scene with Rajiv Kapoor and had given a full view of her bust in a breast feeding scene.

Maya Memsaab

‘Maya Memsaab’, loosely based on the novel ‘Madam Bovary’, made news for its bedroom sequence which had Shah Rukh Khan indulging in hardcore lovemaking with Deepa Sahi. The scene revealed Shah Rukh’s butt and Deepa’s bust!

Anubhav

Shekhar Suman was paired opposite Padmini Kolhapure in this erotic film where the duo played a married couple. Surprisingly, it was Shekhar’s red hot scenes with the movie’s second lead Richa Sharma that made headlines.

The Namesake

Based on a novel by bestselling author Jhumpa Lahiri, ‘The Namesake’ had a sizzling love making scene between Tabu and Irrfan Khan in a sequence which demanded them to consummate their marriage in the film. A unique lovemaking scene between the second leads of the movie, Kal Penn and Zuleikha Robinson also grabbed a million eyeballs.

The Dirty Picture

Be it Vidya Balan’s hot red wet saree, her orgasmic acts or her lovemaking scenes with her co-stars, this movie was truly worth every rupee spent by viewers! Perhaps, all that led to the series of controversies related to its TV premiere.

Hate Story

Director Vivek Agnihotri left no room for anyone to disagree on the fact that ‘Hate Story’ is an erotic flick. Bong bombshell Paoli Dam gave her best shot in giving a number of scenes which had her bedding different men at different times.

Jism 2

Director Pooja Bhatt promised that as compared to ‘Jism’ which starred Bipasha Basu and John Abraham, ‘Jism 2’ would be raunchier and hotter. The Bhatt lady went a step ahead by casting adult movie star Sunny Leone opposite Randeep Hooda and Arunoday Singh. Going by its recently released posters and teaser, ‘Jism 2’ has that erotic quotient to seduce one and all.

'Paoli has the courage to go beyond her body on camera'

The filmmaker refrains from commenting on Abbas-Mustan's 2001 thriller Ajnabee that touched upon wife-swapping but says that he enjoyed Rajat Kapoor's Mixed Doubles. 

"That was a light take on wife-swapping. Mine would be far more dark and probing," Bhatt says.

Bhatt adds he chose Paoli for the new film because she's not self-conscious in front of the camera.

"Paoli has the courage to go beyond her body on camera. That's where I want to go with Love Games."

'My character won't resemble the one in Hate Story'

When asked about her sexually-charged roles and how it would impact her image and career in Bollywood, Paoli shrugs, "Love Games is another bold film, I agree. But Vikram and I are working on my character. I can assure you I won't be doing anything predictable. My character won't resemble the one in Hate Story."

 

Refuting reports that her family and boyfriend in Kolkata are upset with her daring act, the actress says, "First of all I am single. As far as my parents are concerned, they don't react to such things."

By: Reddif

Movie Review : Hate Story (Erotica/Thriller)

Cast: Paoli Dam, Gulshan Devaiah, Nikhil Dwivedi
Director: Vivek Agnihotri

Meet the newest avatar of Maa Kali! The fascist avenging woman has always been a favourite figure of fantasy fashioning for our films. Who can forget Nargis gunning down her own son in Mehboob Khan's Mother India?

The motivations for revenge in Hate Story are not quite the ones that impelled the woman protagonist to rise up in arms in Mother India or for that matter in Bhavna, a film directed by Hate Story producer Vikram Bhatt's father Pravin Bhatt, where Shabana Azmi killed her own husband.

Really, who needs a gun to get even when you have sex?

Paoli doesn't give a damn if her bare back or flesh flash across the screen. She displays a healthy attitude of disdain for the camera, letting it swoop down on her vulture style, never allowing her vengeful character's erotic journey to get sleazy, cheesy or lurid. The camera violates her character's privacy with her consent.

Hate Story is a tale that invites provocative measures of counter-argument. When the protagonist Kaavya (Paoli Dam) gets down to revenge, she spares no one, least of all herself. She announces she wants to be a sex worker, and thereafter, there's no looking back.

And quite a comely back it is.

Paoli's Kaavya uses her physique to lure her enemy into her trap. Director Vivek Agnihotri cuts into her journey of self-destructive vendetta like a knife.

The episodes sometimes stretch the limits of belief. But what the heck! No one is making a statement here on the politically correct conduct of the Indian woman.

In what can be regarded as one of the most defiantly unconventional debut performances, Paoli lets herself go with the furious flow of her character's vendetta.

The episodes hammer into one another with scarce room to breathe. The pace is dizzy most of the way. And when it slows down, you feel the protagonist's vendetta is losing its steam.

Steamy lovemaking scenes are strewn across the narrative's stricken landscape. The soundtrack suggests there's an urgent tragedy nudging the erotic content. The dialogues by Rohit Malhotra don't shy away from telling it like it is.

Vikram Bhatt's screenplay is Sidney Sheldon territory. It doesn't shy away from showing the heroine in an unflattering light. This is new-age cinema with no room for conventional narrative devices or apologies for what the protagonist sets out to do.

If in The Dirty Picture, Vidya Balan wore her sexuality on her sleeve, in Hate Story, Paoli uses her sexuality like a favoured currency in the stock market.

Mint-fresh and shock-proof, Paoli interprets her character with vigorous conviction. As her adversary Gulshan Devaiah (so watchable in Shaitan and That Girl In Yellow Boots) careens between rage and anguish quite effortlessly.

Hate Story is not quite the tale of the simpering wronged woman we've been seeing in our films since the time Adam impregnated Eve.

Hate Story pushes the envelope so hard, all the contents spill out in a torrential tumble of tantalising power-play set within the world of corporate battles and gender conflicts.

This is a most riveting and aesthetic saga of a woman's revenge against the man who's wronged her since RK Nayyar's Inteqaam - except for the fact that Paoli does things Sadhana in Nayyar's film could have never imagined.

By IANS